Tag Archives: art projects

Nightmare on Mom Street

Sunday afternoons are my respite in this harried place. The sanity cocktail from which I draw sweet sustenance. That said, I lounge around doing as little as humanly possible, embracing my inner sloth. Old movies and blanket forts rule the day. That is not to say I haven’t been inspired enough to haul my sweeper from the bowels of its dusky lair or to plant my sorry self in the laundry room despite my aversion to the insufferable place. Even on a Sunday. But for the most part, ambition is nowhere to be found during that glorious wedge of downtime—sandwiched between the madness that was and the madness sure to come. Last Sunday, however, was different. Havoc rained down on my world, obliterating my precious corner of calm.

Oddly enough, what led to the aforementioned began weeks ago while traipsing through a store, my cart piled high with schlock I didn’t need. At every turn, it seemed, I stumbled into MORE SCHLOCK and felt compelled to ogle it, to finger its veneer of worthiness and to toy with the notion of adding it to my ever-growing mound of that-which-I-would-one-day-regret-purchasing. And on the days during which I allow the guilt of motherhood to consume me, the mound is markedly higher. Needless to say, it was one of those days.

Indeed, the voices that drive much of my irrational behavior were especially persuasive that day, whispering words of admonishment in my ear and regaling in my grand ineptitude as a parent: “You’re a HORRIBLE MOTHER…you don’t SPEND ENOUGH TIME with your children…you MUST ACQUIRE this ten-dollar nugget of wonderfulness which promises to erase weeks of botched parenting.” All the while I considered said nugget of wonderfulness (i.e. a two-pound Chocolate Cookie Halloween House Kit, complete with 47 bats, dozens of little green candies I would later damn to hell, enough gumdrops to coat eleventy-seven teeth and an expander, a defective ghost—or rather, segments of insanely sweet candy, suggestive of something that was once intact and specter-like—and a cauldron full of powdery mixes that were sure to deliver hours of goo-inspired, edible fun and to yield the most perfect hues of orange and purple icing on the planet).

In the end, I was shamed into buying the box of foolishness. Because that’s what moms do. Just like all the other project-y stuff I haul home out of sheer guilt; never mind the techno-gadgetry thought to engender this or that brand of awe in my children. It’s all about the Is-it-as-remarkable-as-a-pony factor and Will-it-expunge-from-the-record-my-screw-ups-to-date?

So I shoved the stupid thing in our pantry (good intentions and all) and forgot about it till the Halloween craze struck with a vengeance. And since the celebrated costume drama in this household was officially over, a sinful quantity of sugary treats had been stockpiled already and virtually every corner of our home had been festooned with all-that-is-Halloweenish, there was but one thing left to do—build the stupid house. So that’s what we did—the three of us, while Dad cheered from the sidelines.

Several hours, two meltdowns (both mine) and a hellacious mess later, we had our two-pound Halloween House. Of course, the orange and purple mixes wound up adorning practically everything, those reprehensible little candies rolled near and far, fistfuls of trimmings were consumed with wild abandon and the icing was less than compliant as I shoveled gobs of it into pastry bags and squeezed the reluctant mass onto the house as instructed. Translation: The cussed gloppage in question delighted in its droopiness, defiantly sliding down walls and slanted rooftops, leaving hideous-looking blobs everywhere. Even the spider webs I made sagged to the point of looking not-so-spider-webby. But because the gods of kitchen fiascos were smiling upon me, my brood rejoiced, “The droopiness makes it even SPOOKIER, Mom! You’re so AWESOME!”

Well, it certainly wasn’t as grand as a pony might have been; but the awe factor of this nightmarish project was evident to at least two somebodies on the planet. And perhaps that’s all that matters in the end.

Planet Mom: It’s where I live (admiring our droopified Halloween house). Visit me there at www.facebook.com/NotesfromPlanetMom. The content of this article, as it appears here, was previously published in the Khaleej Times.

Copyright 2009 Melinda L. Wentzel

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Filed under "G" is for Guilt, "S" is for Shame, Family Affair, Holiday Hokum, I Pretty Much Suck at Parenting, motherhood, Project Schmoject, Unplugged

Bad Mood Munchers

Forever, it seems, my children have brought me newly created pieces of wonderment to ogle—eager for both praise and encouragement for their Picasso-esque efforts. I’d like to hope that I’ve always been mindful of their feelings as they bestow upon me their most prized offerings on the planet. It could be a self-portrait destined for the refrigerator, a dachshund or a duck, lovingly wrought from a dollop of Play-Doh, or an

impressive rendering of a dinosaur, hewn from a large and unwieldy sheet of poster board.

Likewise, I’ve been called upon to admire masterpieces that are nothing short of remarkable—like the tiny box turtle one of my progenies recently fashioned from an empty Nerds box, the Rapunzel-inspired 3-D tower (with a working drawbridge!) she made from a mere sheet of paper and a bit of tape and string, or the “songbird” she ingeniously crafted from an acorn and a couple of feathers harvested from the back yard, “…because I wanted a pet bird, Mom, to live in the birdcage Grandma gave us.”

Indeed, these are delicate matters and it is imperative that I handle the psyches of my fledgling artists with the utmost of care and sensitivity. God forbid I fail to ooh

and aah appropriately—providing that much anticipated glowing review of a certain someone’s work, or that I make the colossal error of misidentifying a beloved nugget of whateverness, placed in my hands for immediate appraisal. “It’s a…….malamute with three heads, right?”

Sometimes it’s best to simply shut up and wait for my brood to inadvertently tell me what this or that mystery item is, so that screw ups are minimal. Thankfully, the bulk of what comes home from school (i.e. that which hails from Mrs. Pagano’s exceedingly wonderful art class) is readily identifiable. Good thing.

Thus far in their academic journey Thing One and Thing Two have proffered the most endearing set of polar bears imaginable, some chunky caterpillars that I adore completely, a Canada goose whose precious neck has since been repaired, a robin redbreast that surely summoned the spring, a handsome set of Italian frescos that rendered me utterly speechless and a handful of gloriously ornate vessels for storing jewelry and whatnot—etched abundantly with love.

All I ever managed to churn out as a grade-schooler was a bunch of stupid ashtrays (which, by today’s standards, would be deemed slightly appalling). Oh, and a handful of dreadfully unimaginative pot-like thingies and a deranged-looking papier-mache rabbit for which I am hard pressed—even now—to suggest a legitimate purpose. Further, there was an embarrassment of highly unremarkable, kiln-fired blobs of clay I remember hauling home to join my shrine to bad art. At least my kids’ creations possess irrefutable aesthetic value if not a preponderance of practicality. Plus, I know what the stuff is—with the exception of the Bad Mood Munchers.

That said, I reached into their backpacks not long ago expecting to discover yet another pair of entities to marvel instantaneously. Instead I found two fist-sized, lumps of hardened clay—ones that were slathered profusely with vibrant blotches of color and warped and mangled beyond all recognition—absolutely reveling in the quality of nebulousness. But as I examined each mass a bit more closely, I began to discern a face of sorts—a distorted rage-filled visage with deep-set eyes that seemed to pierce my very soul, a fearsome set of eyebrows that I couldn’t help but trace with my finger and a maw that would forever remain agape, likely for the purpose of swallowing smallish children whole. In a word, it was hideous and begged the question, “What on earth IS it?”

“It’s Angry Man, Mom. My Bad Mood Muncher. Isn’t he AWESOME?! And look, I made him a castle to live in!” Thing Two crowed with delight.

As I stood in stunned silence, her cohort informed me that her infinitely weirdish clay creation had been dubbed Steve, which stumped me perhaps more than anything.

Steve?! Who names a monstrosity like THAT ‘Steve’ for crying out loud?! What’s it for, anyway?” I felt driven to ask.

“It’s for when I get angry, Mom. I’m supposed to find some paper and write down what I’m mad about then twist the paper and try to tear it in half, which uses up A LOT of energy and helps get my anger out. If I’m still angry after I try (and fail) to tear the twisted paper, I have to open it up and calmly shred it into little pieces. Then I put the pieces in his castle thingie and he EATS them. Then my bad mood is GONE! Isn’t that entirely kewl?!”

Well after being enlightened on the subject, I had to admit the idea of defusing anger was slightly brilliant. And as art projects go, it was probably wicked fun besides. That said, I now want a Bad Mood Muncher to call my very own—one that promises to devour all that I find completely irksome on this planet.

Indeed, I’m quite sure I could feed the beast with the best of them.

Planet Mom: It’s where I live (fishing bits of paper from Angry Man’s mouth—some of which was twisted unmercifully, meticulously piecing the scraps together and, stupidly, reading the wrath-filled messages contained therein).

Copyright 2010 Melinda L. Wentzel

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Filed under Home is Where the Weirdness Lives, Kid-Speak, Refrigerator Art, School Schmool, We Put the Fun in Dysfunction