It’s possible that I might be slightly smitten with jingle bells—more specifically, with the completely delicious and decidedly hypnotic sound they emit. A feast for the ears. A balm for the soul. A window into the past for people like me, who’ve harvested decades-old memories that involve horses, snow-covered cornfields and wintry afternoons spent on my grandfather’s farm. As a result, I am fairly incapable of resisting the allure of a store bin filled to capacity with sleigh bells. That said, I cannot walk by without reaching in to sample each and every melodic wonder. To pluck great hordes from the array, one after another, appraising each with regard to its heft, luster and, of course, the inherent splendor of its sound. Call it a weakness if you will. Perhaps even a debilitating fixation. I have no shame.
Needless to say, there is a profusion of jingle bells in this household—both brass and silver, embossed and etched—many of which adorn our tree, several that rest near our beloved crèche, all of which are patently adored. Additionally, at least two clusters of bells, ones that are tenuously affixed to braided strands of crimson and gold, dangle freely from doorknobs so that our comings and goings, as well as those of friends and family who visit, are joyfully announced. What’s more, there are bell necklaces and bell bracelets, bells on stockings and bells on sleighs. Even a pair of plump snowmen COMPOSED ENTIRELY OF BELLS are poised to welcome Christmas Day—as are the hand-painted variety that a favorite student teacher recently bestowed upon my brood.
As one might expect, I spend an inordinate amount of time each December perfectly enthralled by the chorus of ringing the aforementioned bells are capable of producing (i.e. I move from room to room, gently waggling each bell in succession, holding it to my ear so that I might savor the sound as it lingers deliciously). Some offer a mere tinkling and the suggestion of an echo, as if a tiny man were inside striking the walls with a hammer, while others resonate seemingly forever a sound so rich and so pure it can almost be tangibly held in one’s hands.
The latter is my favorite and the special sort that we resurrected from my mother-in-law’s estate several years ago, along with a host of ceramic centerpieces she crafted herself and a handful of wooden blocks that spell out MERRY CHRISTMAS when properly arranged. Not surprisingly, I’m drawn to the sleigh bell—a silver-plated, baseball-sized genuine collectible manufactured by Wallace more than 30 years ago. Naturally, it makes a distinctive sound. And whenever I want to revisit a time when my husband’s mother was here (which is often, since there are so many conversations I wish we could have), I pick up the bell—which, I suppose, is not unlike the days I find myself wandering around in search of the Carter’s slippers my children wore so many years ago. The ones with tiny jingle bells housed inside their wooly dog exteriors, triggering fond remembrances of a pair of pajama-clad, bedtime-story-toting toddlers at will. In an instant, I can see them shuffling about, their rounded bellies protruding ever so slightly, their smallish hands clutching a toy of some sort.
Come January, as I take down the tree and unceremoniously stow away the remnants of Christmas cheer, I simply cannot bring myself to box up the bells, banishing them to the attic for an entire year. Not yet anyway. I’m not ready to say goodbye. Long after the Moravian star is removed from its lofty perch, the garland is gathered and legions of ornaments are shrouded in newsprint for safekeeping, the sleigh bells remain. Perhaps in defiance of society’s urgings that the Yuletide is over. Perhaps in spite of my longing to restore order to my hopelessly disordered world. Perhaps because of the warmth they engender, during this holiest of seasons and always.
Planet Mom: It’s where I live (anxiously awaiting the sound of sleigh bells). Visit me there at www.facebook.com/NotesfromPlanetMom.
Copyright 2011 Melinda L. Wentzel
It was painful to stand there and simply watch. To idly witness, that is, a little boy, no more than three, seized by a desperate longing to ride on the horse-drawn wagon that had circled the park more times than we could readily count in the hour or so that we waited. Again and again the team of Belgian’s passed us in the frigid night, pausing ever so briefly along its winding path to load and unload hoards of people who had come to this festive event—to soak in some Christmas cheer, to perhaps get a glimpse of Santa in his red, velvety suit and to feast their eyes upon the spectacle of lights that blanketed the grounds, casting a warm glow upon the darkness that sought to swallow us whole.
I love indoor Christmas lights. Tiny white ones, more specifically—the sort that cast a soft glow at dusk, filling a darkened room with ambient warmth, reminding me that it was totally worth risking life and limb to hang them atop windows and French doors as I foolishly balanced on a step stool, the meaty arm of a sofa and once, even upon a tall stack of pillows that were strategically placed upon said sofa. Yep. Totally worth it.
We make pot pie at our house each Thanksgiving—a savory Pennsylvania Dutch meal that features the most perfect blend of onions, potatoes, thick squares of doughy goodness and meaty strands of chicken. Only we use turkey on this festive occasion. Six-and-a-half pounds of succulent dark meat to be exact, bathing in a vat of broth that most would find fairly intoxicating. It’s tradition. Or more correctly, a slight variation on tradition that serves to remind our family of the delectable dish my mother-in-law made not so long ago.
I’ve been informed it’s over—my brood’s love affair with trick-or-treating, that is. I knew it would happen eventually. I just wasn’t expecting it to happen now, seemingly minutes before Halloween. It’s possible I’ll need weeks of therapy in order to cope with such tragic news. Please send candy.


























































