Of all places, it began in an obscure corner of a local pharmacy, with child in tow. My incapacitating infatuation with a certain hue of green paint, that is. Who does that? What sort of deranged mother follows a late night visit to an urgent care facility (due to excruciating ear pain of the youth variety) with a spontaneous and completely self-serving foray into the realm of household décor? This sort of deranged mother, apparently. One who was less concerned with the prospect of obtaining a curative pharmaceutical for her dear daughter than with the intoxicating possibility of acquiring said paint for a certain someone’s writing lair.
For the record, I didn’t intend to become smitten with the aforementioned hue whose algae-inspired essence was splashed over the entirety of the prescription drug enclave, beckoning to me unremittingly (like only pond scum pigmentation can). It just sort of happened and I could do nothing to resist. Indeed, the paint spoke to me.
Oddly enough, it spoke to my 11-year-old, too, whose blinding pain somehow evaporated as she stood before the wall of green, mesmerized by what appeared to be the world’s largest harvest of guacamole. Or seaweed. Possibly both.
“Mom, isn’t that the most awesome color you’ve ever seen?! It looks like frog spit and it would be PERFECT for your office! Plus it would cover up that lilac you’re so sick of, wouldn’t it?”
And at that, I was silenced. For this was the child who had refused to embrace the notion of change for as long as I can remember. The child who, on occasion, had launched visceral tirades in response to the mere suggestion of rearranging our living room furniture, never mind reordering her sock drawer or straightening the cushions upon our cussed couch.
God forbid we PAINT.
This could possibly explain my addled state and why I then became a disturbing source of fascination a terrible annoyance to the pharmacist, likely creeping her out with my shameless curiosity involving, of all things, latex paint.
“Can you tell me, ma’am, what shade of green that is?” I asked, pointing at the celebrated wall. “I know this sounds crazy, but I have to know. I’ve been wrestling with everything from gecko green to almost avocado, and now that I’ve gotten the go-ahead from our self-appointed Rule Captain,” I said, gesturing to my daughter who was clearly convinced that we should drop everything and paint, “I’d be stupid not to.” Translation: If I don’t jump on this project in the next ten minutes, my child, who is frighteningly obsessed with sameness, will forget she ever expressed an interest in said endeavor, dooming me to the horrors of a purple workspace for all eternity.
For a time, the woman stared blankly at the wall and then at me, probably wondering how I had eluded security at the mental hospital from whence I undoubtedly had come. She then shook her head (possibly making me appear less deranged and more pathetic), picked up the phone and dialed someone who might be inclined to house peculiar data involving the whereabouts of little known paint swatches. Naturally, I was taken aback, yet mildly intrigued by her willingness to help.
Then things got weirder. She began firing a barrage of questions in rapid-fire succession. What sort of room did I intend to paint…how many windows were contained therein…what sort of ambient light existed…had I ever considered using a complimentary color? Of course, this rendered me patently delirious. Here was a woman who recognized the desperation in my voice—a woman who could sense the dysfunction in my home—a woman who, at least on some level, understood what it was like to live with a tiny tyrant who stifled my every whim. Whims related to change, that is.
So when she actually tore a small chunk of paint off the wall, I was aghast—but in a good way. “Here, take this to the paint store. Maybe they can match it,” she offered, defining for me in so many glorious ways, the color of bizarre.
Copyright 2012 Melinda L. Wentzel