Floored

Against all logic and understanding, I tolerated the most hideous-looking carpet known to man for what seemed like an eternity. It stretched an expanse measuring more than 600 square feet from living room to dining room—a wall-to-wall nightmare that everyone knew was pink. Not salmon. Coupled with the abundance of brass and ugly-as-sin wallpaper we found throughout the house on move-in day 1997, it was as if the eighties had lifted the roof and vomited every bit of horrible décor that had ever been imagined.

And because the universe hates me, it took more than two decades to convince my husband that it was high time for a change. Never mind my incessant reminders that our kids and pets (and Lord knows how many previous owners’ kids and pets) had stained said carpet and that it would never again return to its pristine state.

Who am I kidding? Even its pristine state looked positively awful. Need I remind you it was pink? At any rate, for 21 years my husband wouldn’t budge on the issue. In his mind, it was impossible for a house to have too much carpeting—even terrible carpeting. He was even known to have loved the carpet that used to exist in our kitchen and master bathroom. Yes, KITCHEN and MASTER BATHROOM. I wish I were kidding. Not surprisingly, with regard to accidents, it brought new meaning to the word repulsive. Need I even mention the stench that lingered, even after dousing it with an arsenal of cleaning solutions?

“For the love of God,” I thought, “who puts carpeting in a kitchen or a bathroom?! It’s wrong on so many levels I can’t even begin to understand what went into such flawed design decisions.” Thankfully, I only had to endure that tragic reality for about 16 years, having replaced it with some beautiful pseudo-tile flooring. It’s a joy to walk on with bare feet and as an added bonus, I no longer freak out when I spill orange juice or drop an egg at my feet. Okay, maybe I freak out a little, but it’s a far cry from what used to happen.

As for our new living room/dining room reality, it is defined by warmth and wonderfulness in the form of seven-inch, oak-like planks that resist both stains and water. And to say that the dark walnut color is gorgeous is an understatement. It perfectly ties our kitchen cabinetry and stone island together with the Brookline Beige paint in our living/dining rooms and I’ve watched enough HGTV to say that it adds to the overall flow of the household. Yes, I used the word “flow” when I attempted to persuade my husband that we needed hardwood flooring, because I’m fancy like that.

Needless to say, I eventually succeeded in convincing him to ditch the aforementioned carpeting (at least on the first floor), but I’m sure it pains him greatly to admit that he actually likes the new hardwood floors. Of course, he refuses to use the word “flow,” but that’s okay.

“So what do you think about the new flooring?” I asked after the job was complete.

“It’s not so bad and I like how the color ties into the wood furniture. Even the area rugs are nice,” he conceded one day not so long ago.

I knew he’d see it my way. He just needed a chance to appreciate my vision. Alright, it’s possible I had no vision. Perhaps I just loathed that carpet with every ounce of my being and sought to replace it with just about anything that was remotely viable.

Even cobblestone had potential in my mind. At least it wouldn’t have been pink.

Planet Mom: It’s where I live, enjoying my new hardwood flooring thanks to Ed Gair, the master craftsman who tolerated my neurotic little dog as well as an embarrassment of clutter. Visit me at www.Facebook.com/NotesfromPlanetMom for before, during and after pictures.

Copyright 2019 Melinda L. Wentzel

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Filed under Captain Quirk, Home Improvement, Home is Where the Weirdness Lives, Ode to Embarrassment, Project Schmoject, We Put the Fun in Dysfunction

Jingle All the Way

It’s possible that I might be slightly smitten with jingle bells—more specifically, with the completely delicious and decidedly hypnotic sound they emit. A feast for the ears. A balm for the soul. A window into the past for people like me, who’ve harvested decades-old memories that involve horses, snow-covered cornfields and wintry afternoons spent on my grandfather’s farm. As a result, I am fairly incapable of resisting the allure of a store bin filled to capacity with sleigh bells. That said, I cannot walk by without reaching in to sample each and every melodic wonder. To pluck great hordes from the array, one after another, appraising each with regard to its heft, luster and, of course, the inherent splendor of its sound. Call it a weakness if you will. Perhaps even a debilitating fixation. I have no shame.

Needless to say, there is a profusion of jingle bells in this household—both brass and silver, embossed and etched—many of which adorn our tree, several that rest near our beloved crèche, all of which are patently adored. Additionally, at least two clusters of bells, ones that are tenuously affixed to braided strands of crimson and gold, dangle freely from doorknobs so that our comings and goings, as well as those of friends and family who visit, are joyfully announced. What’s more, there are bell necklaces and bell bracelets, bells on stockings and bells on sleighs. Even a pair of plump snowmen COMPOSED ENTIRELY OF BELLS are poised to welcome Christmas Day—as are the hand-painted variety that a favorite student teacher recently bestowed upon my brood.

As one might expect, I spend an inordinate amount of time each December perfectly enthralled by the chorus of ringing the aforementioned bells are capable of producing (i.e. I move from room to room, gently waggling each bell in succession, holding it to my ear so that I might savor the sound as it lingers deliciously). Some offer a mere tinkling and the suggestion of an echo, as if a tiny man were inside striking the walls with a hammer, while others resonate seemingly forever a sound so rich and so pure it can almost be tangibly held in one’s hands.

The latter is my favorite and the special sort that we resurrected from my mother-in-law’s estate several years ago, along with a host of ceramic centerpieces she crafted herself and a handful of wooden blocks that spell out MERRY CHRISTMAS when properly arranged. Not surprisingly, I’m drawn to the sleigh bell—a silver-plated, baseball-sized genuine collectible manufactured by Wallace more than 30 years ago. Naturally, it makes a distinctive sound. And whenever I want to revisit a time when my husband’s mother was here (which is often, since there are so many conversations I wish we could have), I pick up the bell—which, I suppose, is not unlike the days I find myself wandering around in search of the Carter’s slippers my children wore so many years ago. The ones with tiny jingle bells housed inside their wooly dog exteriors, triggering fond remembrances of a pair of pajama-clad, bedtime-story-toting toddlers at will. In an instant, I can see them shuffling about, their rounded bellies protruding ever so slightly, their smallish hands clutching a toy of some sort.

Come January, as I take down the tree and unceremoniously stow away the remnants of Christmas cheer, I simply cannot bring myself to box up the bells, banishing them to the attic for an entire year. Not yet anyway. I’m not ready to say goodbye. Long after the Moravian star is removed from its lofty perch, the garland is gathered and legions of ornaments are shrouded in newsprint for safekeeping, the sleigh bells remain. Perhaps in defiance of society’s urgings that the Yuletide is over. Perhaps in spite of my longing to restore order to my hopelessly disordered world. Perhaps because of the warmth they engender, during this holiest of seasons and always.

Planet Mom: It’s where I live (anxiously awaiting the sound of sleigh bells). Visit me there at www.facebook.com/NotesfromPlanetMom.

Copyright 2011 Melinda L. Wentzel

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Filed under "N" is for Nostalgia, Gratitude, Love and Other Drugs, motherhood

Countdown to Christmas

It was painful to stand there and simply watch. To idly witness, that is, a little boy, no more than three, seized by a desperate longing to ride on the horse-drawn wagon that had circled the park more times than we could readily count in the hour or so that we waited. Again and again the team of Belgians passed us in the frigid night, pausing ever so briefly along its winding path to load and unload hoards of people who had come to this festive event—to soak in some Christmas cheer, to perhaps get a glimpse of Santa in his red, velvety suit and to feast their eyes upon the spectacle of lights that blanketed the grounds, casting a warm glow upon the darkness that sought to swallow us whole.

The boy’s frustration was decidedly palpable as he wailed in vain to his mother and to the starry sky above, arching his back and clenching his tiny fists in indignation—hot, angry tears streaming down his baby face. Inconsolable, as it were. Aside from diverting his attention from this sorrowful reality (i.e. that he was NOT sitting in the aforementioned wagon, lulled by the gentle rhythm of the horses’ gait and the muted sound of their hooves as they hit the pavement), there wasn’t much anyone could do to comfort him.

So many times I’ve watched my own children suffer through the misery of waiting for that which promises to remedy all ills, to satisfy all desires and to deliver instantaneous joy. The interminable wait for Space Mountain at Disney World. The intolerable chasm between ordering a Happy Meal and wrapping one’s pudgy fingers around the cheap plastic toy contained within said Happy Meal. The insufferable gulf that exists between falling hard on the gritty sidewalk and being swooped up into a parent’s arms, where soothing assurances await.

And though they’ve grown immeasurably since that time, my children loathe the process of waiting even still—especially during this celebrated month of December, on the veritable cusp of Christmas. Over the years it has become tradition, shortly after Thanksgiving and perhaps before any other bit of holiday décor emerges from the depths of the attic, to haul out the handcrafted, Santa-inspired DAYS TILL CHRISTMAS thingy—the one that is cleverly outfitted with removable wooden blocks upon which numbers have been handily painted. We do this, of course, because we cannot find our Advent Calendar—the endearing square of felt-like fabric filled to capacity with a crop of tiny pockets and tethered to a small, cottony fir tree intended to mark the days until the 25th. Needless to say, I had a deep and abiding love for that calendar, but sadly it disappeared—along with my girlish figure, every intact set of tumblers I once owned and the stain-free carpeting I once enjoyed.

At any rate, Thing One and Thing Two are patently delirious over all that the Yuletide embodies, so thickly immersed are they in the important business of crafting gifts for friends and family, taking part in a good number of caroling excursions through school and church and (much to my dismay) quoting the lyrics of The 12 Pains of Christmas far too often. They’ve also spent an inordinate amount of time composing wish lists that appear to change with the wind, instilling me with a fair amount of panic as we inch ever nearer to Christmas Day. Indeed, the ratcheting effect of the official countdown has begun in earnest. “ELEVEN DAYS TILL CHRISTMAS!” the wooden blocks seem to shout—reminding me of both the joy this season brings and of my glaring ineptitude as it relates to the enormity of the task ahead.

Cleansing breaths and great volumes of prayer are in order at such times, which, with any luck, will serve to ground me and to give me pause—especially during this grand and glorious season of hopeful expectation.

Planet Mom: It’s where I live. Visit me there at www.facebook.com/NotesfromPlanetMom.

Copyright 2011 Melinda L. Wentzel

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Filed under Holiday Hokum, motherhood, Mushy Stuff, The Natives are Decidedly Restless, Unplugged

Merry and Bright. Sort Of.

I love indoor Christmas lights. Tiny white ones, more specifically—the sort that cast a soft glow at dusk, filling a darkened room with ambient warmth, reminding me that it was totally worth risking life and limb to hang them atop windows and French doors as I foolishly balanced on a step stool, the meaty arm of a sofa and once, even upon a tall stack of pillows that were strategically placed upon said sofa. Yep. Totally worth it.

My husband, by contrast, adores such festive trappings, but is less than enamored with the idea of wrestling with them for more than 27 minutes—the average time it takes to retrieve the tangled masses from the attic, arrange them in clumps on the floor and then wrap them around a Christmas tree in a manner that is both geometrically and aesthetically pleasing. What’s more, he can’t stand it when he makes the inevitable discovery in the thick of decorating madness (i.e. lights that won’t light, bulbs that are broken or flicker with the slightest bit of movement and entire strands of lights that are sporadically lit at best, a far cry from merry and bright).

Of course, these are the very same lights that functioned perfectly last year—the ones we tested before boxing them up and shoving them into the deep recesses of the attic. I’m convinced that something criminal happens in there between New Year’s and Thanksgiving. Something that can probably be traced to Elf on a Shelf, or an equally reprehensible little creature inclined to tamper with our trimmings. However, we don’t own any of the aforementioned elves, nor would I feel compelled to put them on a shelf or anywhere else because they creep the cranberries out of me. Nevertheless, it’s clear that something goes on in that attic that would explain our less-than-functional lights.

Yes, it’s possible they’re just chintzy, and that we’re too cheap to care.

At any rate, we are then faced with a dilemma—the one my husband and I experience each and every year. Do we ditch the strands of lights that refuse to cooperate completely, effectively ridding ourselves of the headache that is defined by tightening and checking ALL of the bulbs individually? Or do we stuff the dysfunctional segments of strands into the tree, where we hope no one will notice and subsequently judge our character?

And let us not forget the problem of what to do with the strands that won’t light at all. If you’re anything like my husband, you’ll keep plugging them into the wall socket and jiggling the wires, repeating the idiocy that is wrapped in denial. Admittedly, I am slightly amused by his antics, so I encourage him to continue trying. Again. And again. Eventually, though, he decides to part with the wretched strands, leaving them for dead. Meanwhile, I cram yard upon yard of half-functioning light strings into the tree, doing my level best to disguise the ones we’ve determined to be misfits this Christmas—because a) I’m too lazy to go to the store to buy more and b) I’m too stubborn to unravel what I worked so hard to position on the boughs in the first place.

“It’s fine,” I rationalize. “We’ll manage with the ones that DO work and no one will be the wiser.”

I have to wonder, as I cruise around town at dusk, peering into yellow squares of windows at fir trees and mantles aglow with twinkly, white lights—do rogue trimmings plague their households with the same ferocity as ours? Maybe we’re an anomaly. Or maybe the universe hates us. Or maybe, just maybe, our Christmas spirit is being tested. I suppose it stands to reason that we continue to pass since we rise to the occasion each year, making our home merry and bright in spite of the intolerable struggle that has become familiar if nothing else.

Planet Mom: It’s where I live, probably messing with Christmas lights. Visit me there at www.facebook.com/NotesfromPlanetMom.

Copyright 2015 Melinda L. Wentzel

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Filed under A Tree is Nice, Captain Quirk, Family Affair, Holiday Hokum, Normal is Relative, Welcome to My Disordered World

The Color of Bizarre

Of all places, it began in an obscure corner of a local pharmacy, with child in tow. My incapacitating infatuation with a certain hue of green paint, that is. Who does that? What sort of deranged mother follows a late night visit to an urgent care facility (due to excruciating ear pain of the youth variety) with a spontaneous and completely self-serving foray into the realm of household décor? This sort of deranged mother, apparently. One who was less concerned with the prospect of obtaining a curative pharmaceutical for her dear daughter than with the intoxicating possibility of acquiring said paint for a certain someone’s writing lair.

For the record, I didn’t intend to become smitten with the aforementioned hue whose algae-inspired essence was splashed over the entirety of the prescription drug enclave, beckoning to me unremittingly (like only pond scum pigmentation can). It just sort of happened and I could do nothing to resist. Indeed, the paint spoke to me.

Oddly enough, it spoke to my 11-year-old, too, whose blinding pain somehow evaporated as she stood before the wall of green, mesmerized by what appeared to be the world’s largest harvest of guacamole. Or seaweed. Possibly both.

“Mom, isn’t that the most awesome color you’ve ever seen?! It looks like frog spit and it would be PERFECT for your office! Plus it would cover up that lilac you’re so sick of, wouldn’t it?”

And at that, I was silenced. For this was the child who had refused to embrace the notion of change for as long as I can remember. The child who, on occasion, had launched visceral tirades in response to the mere suggestion of rearranging our living room furniture, never mind reordering her sock drawer or straightening the cushions upon our cussed couch.

God forbid we PAINT.

This could possibly explain my addled state and why I then became a disturbing source of fascination a terrible annoyance to the pharmacist, likely creeping her out with my shameless curiosity involving, of all things, latex paint.

“Can you tell me, ma’am, what shade of green that is?” I asked, pointing at the celebrated wall. “I know this sounds crazy, but I have to know. I’ve been wrestling with everything from gecko green to almost avocado, and now that I’ve gotten the go-ahead from our self-appointed Rule Captain,” I said, gesturing to my daughter who was clearly convinced that we should drop everything and paint, “I’d be stupid not to.” Translation: If I don’t jump on this project in the next ten minutes, my child, who is frighteningly obsessed with sameness, will forget she ever expressed an interest in said endeavor, dooming me to the horrors of a purple workspace for all eternity.

For a time, the woman stared blankly at the wall and then at me, probably wondering how I had eluded security at the mental hospital from whence I undoubtedly had come. She then shook her head (possibly making me appear less deranged and more pathetic), picked up the phone and dialed someone who might be inclined to house peculiar data involving the whereabouts of little known paint swatches. Naturally, I was taken aback, yet mildly intrigued by her willingness to help.

Then things got weirder. She began firing a barrage of questions in rapid-fire succession. What sort of room did I intend to paint…how many windows were contained therein…what sort of ambient light existed…had I ever considered using a complimentary color? Of course, this rendered me patently delirious. Here was a woman who recognized the desperation in my voice—a woman who could sense the dysfunction in my home—a woman who, at least on some level, understood what it was like to live with a tiny tyrant who stifled my every whim. Whims related to change, that is.

So when she actually tore a small chunk of paint off the wall, I was aghast—but in a good way. “Here, take this to the paint store. Maybe they can match it,” she offered, defining for me in so many glorious ways, the color of bizarre.

Planet Mom: It’s where I live (poised to paint). Visit me there at www.facebook.com/NotesfromPlanetMom. The content of this article, as it appears here, was previously published in the Khaleej Times.

Copyright 2012 Melinda L. Wentzel

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Filed under Home Improvement, Home is Where the Weirdness Lives, I Pretty Much Suck at Parenting, Kid-Speak, We Put the Fun in Dysfunction